As a little boy I whiled away most of my time pretending to be a baseball announcer on the radio. I could think up games for hours at a time.
Share via Email In the past decade the surge of capital markets has dominated discourse and shaped global consciousness. Multinational corporations have come to seem more vital and influential than governments.
The dramatic climb of the Dow and the speed of the internet summoned us all to live permanently in Don delillo essay future, in the utopian glow of cyber-capital, because there is no memory there and this is where markets are uncontrolled and investment potential has no limit. All this changed on September Today, again, the world narrative belongs to terrorists.
But the primary target of the men who attacked the Pentagon and the World Trade Centre was not the global economy. It was America that drew their fury. It was the high gloss of our modernity.
It was the thrust of our technology. It was our perceived godlessness. It was the blunt force of our foreign policy. It was the power of American culture to penetrate every wall, home, life and mind.
Terror's response is a narrative that has been developing over years, only now becoming inescapable. It is our lives and minds that are occupied now.
This catastrophic event changes the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.
Our world, parts of our world, have crumbled into theirs, which means we are living in a place of danger and rage. The protesters in Genoa, Prague, Seattle and other cities want to decelerate the global momentum that seemed to be driving unmindfully toward a landscape of consumer-robots and social instability, with the chance of self-determination probably diminishing for most people in most countries.
Whatever acts of violence marked the protests, most of the men and women involved tend to be a moderating influence, trying to slow things down, even things out, hold off the white-hot future. The terrorists of September 11 want to bring back the past. OUR tradition of free expression and our justice system's provisions for the rights of the accused can only seem an offence to men bent on suicidal terror.
We are rich, privileged and strong, but they are willing to die.
This is the edge they have, the fire of aggrieved belief. We live in a wide world, routinely filled with exchange of every sort, an open circuit of work, talk, family and expressible feeling.
The terrorist, planted in a Florida town, pushing his supermarket trolley, nodding to his neighbour, lives in a far narrower format. This is his edge, his strength. Plots reduce the world. He builds a plot around his anger and our indifference.
He lives a certain kind of apartness, hard and tight. This is not the self-watcher, the soft white dangling boy who shoots someone to keep from disappearing into himself. The terrorist shares a secret and a self.
At a certain point he and his brothers may begin to feel less motivated by politics and personal hatred than by brotherhood itself. They share the codes and protocols of their mission here and something deeper, a vision of judgment and devastation.
Does the sight of a woman pushing a stroller soften the man to her humanity and vulnerability, and her child's as well, and all the people he is here to kill?
This is his edge, that he does not see her. Years here, waiting, taking flying lessons, making the routine gestures of community and home, the credit card, the bank account, the post-office box.The Failure of Technology in White Noise by Don Delillo One particularly unfortunate trait of modern society is our futile attempt to use technology to immunize ourselves against the fear of death.
The failure of technology in this regard is the general subject of Don Delillo''s book White Noise. Don DeLillo’s novel White Noise is a text firmly situated in the modern world. Through the novel, part Postmodernist satire part Post-Structuralist understanding of the world, DeLillo presents an incredibly cynical view of the modern world through.
Donald Richard "Don" DeLillo (born November 20, ) is an American novelist, playwright and essayist. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, politics, economics, and global kaja-net.comry movement: Postmodernism.
Don DeLillo’s Valparaiso concerns a man who buys a plane ticket to Valparaiso, Indiana, and ends up in Valparaiso, Chile. This mildly amusing idea might have yielded a good light comedy. Donald Richard "Don" DeLillo (born November 20, ) is an American novelist, playwright and essayist.
His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, politics, economics, and global terrorism. Sep 04, · DeLillo, Don – DeLillo is an American novelist.
In he made an auspicious debut with Americana, followed the next year by End Zone, a book ostensibly about football but in reality.